front cover of The Shrinking Jungle
The Shrinking Jungle
Kevin T. Jones
University of Utah Press, 2012

Anthropologist Kevin Jones takes the reader on a journey into the world of the Aché, hunter-gatherers of the deep jungles of Paraguay. The Aché were among the last tribal peoples to come into peaceful contact with the outside world, with some bands leaving the forest only in the late 1970s. Jones was fortunate to live among them while conducting ethnoarchaeological fieldwork as part of his graduate studies. Their stories were so compelling and the insights into their lives so profound that he wove them into this fictional account, seeking to share the uniqueness of the culture while illustrating the universal nature of the Achés’ concerns.

The Shrinking Jungle tells the story of a fictional Aché band forced to deal with the tribulations of living in a forest gradually diminished by the encroachments of loggers and farmers. It follows the lives of one family and their band as they grapple for existence in a world of waning resources. The unfolding narrative captures the human struggle to live, love, care for family, fend off danger, and dream and hope for a bright future.

A compassionate look at the lives of people affected by the expansion of modern industrial society, The Shrinking Jungle gives a face to the human cost of tropical forest habitat loss. It also provides a realistic glimpse into the lifeways that were common to all human beings for much of our history.
 

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front cover of Standing on the Walls of Time
Standing on the Walls of Time
Ancient Art of Utah's Cliffs and Canyons
Kevin T. Jones and Layne Miller
University of Utah Press, 2019
In western culture, rock art has traditionally been viewed as “primitive” and properly belonging in the purview of anthropologists rather than art scholars and critics. This volume, featuring previously unpublished photographs of Utah’s magnificent rock art by long-time rock art researcher Layne Miller and essays by former Utah state archaeologist Kevin Jones, views rock art through a different lens.

Miller’s photographs include many rare and relatively unknown panels and represent a lifetime of work by someone intimately familiar with the Colorado Plateau. The photos highlight the astonishing variety of rock art as well as the variability within traditions and time periods. Jones’s essays furnish general information about previous Colorado Plateau cultures and shine a light on rock art as art. The book emphasizes the exqui­site artistry of these ancient works and their capacity to reach through the ages to envelop and inspire viewers.
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